{"id":291,"date":"2016-10-21T18:03:12","date_gmt":"2016-10-21T18:03:12","guid":{"rendered":"http:\/\/www.bravenewclassics.info\/?p=291"},"modified":"2016-10-22T11:48:58","modified_gmt":"2016-10-22T11:48:58","slug":"and-my-story-begins-in-russia-2","status":"publish","type":"post","link":"https:\/\/www.bravenewclassics.info\/index.php\/2016\/10\/21\/and-my-story-begins-in-russia-2\/","title":{"rendered":"and my story begins in Russia&#8230; #2"},"content":{"rendered":"<p>On the \u2018Red Arrow\u2019 &#8212; a famous Soviet-period overnight train between St Petersburg and Moscow &#8212; I shared a cabin with a kindly man named\u00a0Igor. His English vocabulary extended to the words \u2018dog\u2019 and \u2018bed\u2019, which got\u00a0us only so far. The crowning moment of our communication came when he showed me a photo on his phone of an &#8216;Angliski dog&#8217;, which appeared to be some kind of\u00a0spaniel. <a href=\"https:\/\/en.wikipedia.org\/wiki\/Red_Arrow_(Russian_train)\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-293 alignright\" src=\"https:\/\/i0.wp.com\/www.bravenewclassics.info\/wp-content\/uploads\/2016\/10\/1990201.jpg?resize=300%2C155\" alt=\"1990201\" width=\"300\" height=\"155\" srcset=\"https:\/\/i0.wp.com\/www.bravenewclassics.info\/wp-content\/uploads\/2016\/10\/1990201.jpg?resize=300%2C155&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.bravenewclassics.info\/wp-content\/uploads\/2016\/10\/1990201.jpg?resize=768%2C397&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.bravenewclassics.info\/wp-content\/uploads\/2016\/10\/1990201.jpg?w=800&amp;ssl=1 800w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a>Since he had little patience for my schoolboy Russian we spent a quiet time together. <!--more-->Igor\u00a0turned out, however, to be an expert in erecting the stowed-away bunks we were to sleep on, and no less\u00a0adept at hanging trousers on the special trouser\u00a0hangers. As kilometers of Russian forest sped\u00a0across\u00a0the dark window between\u00a0our bunks, Igor and I were lulled asleep by\u00a0the gentle chuckle of the rails and dreamt of what might lie in store for us in the capital.<\/p>\n<p>When we pulled into Moscow we\u00a0smoked on the platform then went our separate ways. I don&#8217;t know where Igor was heading, but I took the metro North to Tsvetnoy Bulvar and eventually hauled my heavy bag to\u00a0the Airbnb room I\u2019d booked for\u00a0the week.<\/p>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-294 alignleft\" src=\"https:\/\/i0.wp.com\/www.bravenewclassics.info\/wp-content\/uploads\/2016\/10\/unspecified-3.jpg?resize=300%2C201\" alt=\"unspecified-3\" width=\"300\" height=\"201\" srcset=\"https:\/\/i0.wp.com\/www.bravenewclassics.info\/wp-content\/uploads\/2016\/10\/unspecified-3.jpg?resize=300%2C201&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.bravenewclassics.info\/wp-content\/uploads\/2016\/10\/unspecified-3.jpg?w=600&amp;ssl=1 600w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/>Three days I spent in the slightly intimidating and enormously\u00a0confusing Biblioteka Lenina, or <a href=\"https:\/\/en.wikipedia.org\/wiki\/Russian_State_Library\">Russian State Library<\/a>. On my first visit\u00a0I signed up to become a reader, acclimatised myself to the no-frills canteen in the basement, and scoured the electronic catalogue for early Soviet translations of the classics. The following two days I consulted those books in various rooms, becoming increasingly familiar with and increasingly fond of this strange public\u00a0library, with its\u00a0gloomy canteen and the Soviet time-warp that is its\u00a0special collections wing.<\/p>\n<p>One afternoon, as a break from the library, I took a long walk around the All-Russian Exhibition Centre. It&#8217;s basically an enormous park with fountains, museums, pavilions, massive\u00a0bronze statues, a fairground, candy-floss, and\u00a0a hammer and sickle\u00a0proudly\u00a0emblazoned on every surface.\u00a0But, for me, it\u00a0was\u00a0the music (and the gold) that really set it apart. There are lampposts with blaring speakers all over the place, pumping out stirring patriotic music mixed with lesser-known-but-still-somehow-familiar power ballads of yesteryear&#8230; I took a few photos and a little audio:<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/UnQeBdktYEA\" width=\"600\" height=\"330\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>While in Moscow I was determined\u00a0to meet up with fellow researchers and with the help of <a href=\"https:\/\/igiti.hse.ru\/en\/Personalia\/Fayer_eng\">Vladimir Fayer<\/a>\u00a0&#8212; who was unfortunately out of the city when I visited &#8212; I managed to do\u00a0just this. I was lucky\u00a0enough\u00a0to meet\u00a0with classicist and historian\u00a0<a href=\"http:\/\/ivka.rsuh.ru\/article.html?id=85345\">Nina Braginskaya<\/a>\u00a0(Russian State University for the Humanities) and comparatist and literary scholar\u00a0<a href=\"https:\/\/www.hse.ru\/org\/persons\/28293640#sci\">Elena Zemskova<\/a>\u00a0(Higher School of Economics).<\/p>\n<p>One of the many things I learned from Elena Zemskova was that the majority of reception studies in Russia tend to focus on the Russian reception of western culture. My study was therefore particularly intriguing for her\u00a0because\u00a0BNC looks not only at the Russian and British receptions of the ancient Greek and Roman classics, but also at the reception of Soviet classicism in Anglophone literature. She told me that the idea that there might have been a beneficial influence on British culture from the early Soviet Union was at once\u00a0exciting and troubling. She was, on the one hand, pleased\u00a0that there might\u00a0be a\u00a0positive legacy from Russia&#8217;s\u00a0communist past, but on the other (more personal) hand &#8212; having grown\u00a0up in the oppressive atmosphere of the later Soviet Union &#8212; she found it quite difficult to imagine that this was the case.<\/p>\n<p>My discussion with Elena crystallized one\u00a0difficulty that I will have to deal with carefully in\u00a0this project, that is that the portrayal of the legacy of communism in a positive light is anathema to many (and for good reason). Elena, however, also reassured me that although she had never before come across anyone peddling such\u00a0ideas, she was still willing to concede\u00a0that I might actually be onto something. She even\u00a0asked me to come back and give a paper in Moscow when I will have\u00a0gathered more evidence.<\/p>\n<p>The following day I visited Professor Braginskaya, who not only specialises in the history\u00a0of Russian classical translation but is\u00a0a classical translator herself. We spoke a good deal\u00a0about translation in general terms and then more specifically about how the early Soviet period had produced some miraculous and enduring gems of classical translation. She was even kind\u00a0enough to demonstrate the beauty of the poet Mikhail Kuzmin&#8217;s translation of Apuleius (1930) by reading a short extract from it.<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/FapB38Jgb6I\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>The early stages of a research project like this\u00a0are\u00a0exciting and daunting in more or less equal measure. Gambolling around in conceptual pastures new is unmixed\u00a0joy &#8212; it is nothing short of\u00a0a privilege, for example, to be taught a new language, and to be free\u00a0to explore\u00a0new ideas from new times.\u00a0But the staggering\u00a0numbers\u00a0of books yet to be\u00a0read, the oceans\u00a0of knowledge yet to be soaked in, and the mounting pressure of becoming an expert in a field not yet one&#8217;s own, can all gang up and trouble the mind. Luckily (I suppose)\u00a0this feeling is not unfamiliar. It was like that too with the PhD (right up until the end) and then again in the first post-doc with the at-first paralysingly wide scope of the <a href=\"http:\/\/classicsandclass.info\/\">Classics and Class<\/a> project.<\/p>\n<p>As a Latinist I, of course, know full well that Rome was not built in a day, and &#8212; as a human who has lived a little &#8212; I also know that it is important to take things slowly, otherwise pleasures like the acquisition of knowledge can become a chore. But it is not always easy to remember such\u00a0things when you&#8217;re scurrying to complete essays\u00a0from former projects at the same time as preparing papers for the present one, and then, of course, there&#8217;s the small matter of having a life beyond work&#8230; This said, I&#8217;m uneasy about\u00a0adopting the role\u00a0of the &#8216;put-upon&#8217; academic. All around I see colleagues struggling under scarcely manageable teaching loads, for whom research time would be ambrosia, and numerous bright and talented contemporaries sweating over\u00a0application after application with zero\u00a0job security. I at least have a few years safe\u00a0haven and time to read and write\u00a0&#8212;\u00a0for which, I ought to say, I&#8217;m extremely grateful to the Leverhulme Trust and Open University. Yes, as a former sandwich-maker for\u00a0the vending machines in the\u00a0South West Electricity Board headquarters\u00a0in Sowton, I know on which side my bread is buttered&#8230;<\/p>\n<p>&gt;&gt;Coming up on BNC:\u00a0a new podcast series called &#8216;Conversations on Communism&#8217; co-produced by <a href=\"https:\/\/www.westminster.ac.uk\/about-us\/our-people\/directory\/taylor-elinor\">Dr Elinor Taylor<\/a> (Westminster). Over the next few months we have scheduled conversations with Colin Chambers (Kingston), author of\u00a0<em>The Story of Unity Theatre<\/em> (1989), Robert Lister (KCL), on the communist Professor of Ancient History\u00a0Frank Walbank (1909-2008) and Richard Seaford (Exeter) and Ben Harker (Manchester) who are going to discuss\u00a0another communist Professor of Classics, <a href=\"http:\/\/www.bravenewclassics.info\/index.php\/project\/george-thomson\/\">George D. Thomson<\/a> (1903-1987).<\/p>\n","protected":false},"excerpt":{"rendered":"<p>On the \u2018Red Arrow\u2019 &#8212; a famous Soviet-period overnight train between St Petersburg and Moscow &#8212; I shared a cabin with a kindly man named\u00a0Igor. His English vocabulary extended to the words \u2018dog\u2019 and \u2018bed\u2019, which got\u00a0us only so far. The crowning moment of our communication came when he showed me a photo on his [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":304,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[1],"tags":[11,12,14,9,13,8],"class_list":["post-291","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized","tag-classics","tag-communism","tag-elena-zemskova","tag-moscow","tag-nina-braginskaya","tag-russia"],"aioseo_notices":[],"aioseo_head":"\n\t\t<!-- All in One SEO 5.0.3 - aioseo.com -->\n\t<meta name=\"description\" content=\"On the \u2018Red Arrow\u2019 -- a famous Soviet-period overnight train between St Petersburg and Moscow -- I shared a cabin with a kindly man named Igor. 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